Naty Noel-Abellana

Inscribed on one of Martino Abellana’s oil paintings were the words, “To my beloved Naty” – meant to be a birthday gift for the artist’s muse. Before portrait commissions became his primary source of income, Martino used the portrait as a gift to court the young Natividad Noel–known as Naty, in short. In this intimately-sized–35.5 by 30.5 cm–1943 oil painting, Naty dons her white school uniform, complete with a green tie, her curly hair short and her gaze directed elsewhere. The artist places tender and careful touches through the crucial emphasis on detail in spite of its modest size, capturing even the most subtle features from the highlights on her hair to the light in her eyes – all attuned to his senses, reflecting his adoration for his beloved.

The connection between Martino and Naty can be traced all the way to their grandfather’s generation, where the interactions between Gonzalo Abellana and Florencio Noel began a friendly relationship between the Abellanas and the Noels. Years later, the young Martino would eventually find himself teaching drawing lessons to Naty’s older sister Consuelo – who unintentionally became cupid in sparking the catalyst for their romance. However, the young couple’s relationship was met with rejection from Naty’s family.

Although tempted to elope and at times discouraged by the challenges in his romance, Martino’s love only grew stronger, allowing him to remain patient and unwavering in the face of rejection. It was this unwavering commitment that won over Naty’s family, granting the couple the chance to celebrate their beautiful wedding in the heart of Martino’s beloved hometown. As a testament to their enduring love, Martino and Naty were blessed with ten children, each one adding to the joy and warmth of their ever-growing family.